DO I REMBER THE FULL SONG????...HMM..
LETS SEE...
Blacks: Parts i remembered
REDS: PARTS I DIDN'T+REMEMBERED WRONG
Pretty Woman
Walking DOWN on the street
Pretty woman
Kinda I like to meet
Pretty woman
yeah yeah yeah
I DON'T BELIEVE YOU, YOU'RE NOT THE TRUTH
NOTHING CAN LOOK AS GOOD AS YOU
MERCY
PRETTY WOMAN
WON'T YOU PARDON ME
PRETTY WOMAN
I COULDN'T HELP BUT I SEE
YOU AS LOVELY AS YOU CAN BE
ARE YOU LONELY JUST LIKE ME
GRRRR
PRETTY WOMAN
STOP A WHILE
PRETTY WOMAN
TALK A WHILE
PRETTY WOMAN
GIVE YOUR SMILE TO ME
Pretty woman
look my way
Pretty woman
say you'll stay
WITH meeeeee...
coz i'll need you
I'll treat you right
COME at me baby
Be mine toniiiiiiiiiiiight...
Pretty woman
Don't walk ON BY
Pretty women
Don't make me cry
DON'T WALK AWAY YEAH
OKAY
I GUESS I'LL GO ON THIS WAY
THERE WILL BE tomorrow night
but wait....
what do i seee???
She's walking back at mee....
YEAHHH...SHE'S WALKING BACK TO MEEE!
OHH OHH
PRETTY WOMAN
Tuesday, May 25, 2010
Sunday, May 16, 2010
Meet the Artist
Meet the Artist: Warren Miller
May 13, 2010
by Cartoon Bank
Warren Miller has been a New Yorker cartoonist for more than four decades, and during that time the drawings he’s produced in his classic pen and ink wash style resemble a catalog of changing trends across all subjects. From business and technology to pop culture and politics, Warren has strained it all through his keen powers of observation and lightning-quick wit. During our lunch with him, we absorbed some fun facts about him (though he didn’t know it at the time, he went to school in the same town as fellow future cartoonist Gahan Wilson) as well as about The New Yorker itself.
TCB: When do you first remember being interested in drawing?
WM: When I was a little tiny person, my father was a commercial artist, and my grandfather was an engraver and also drew. I sent in my first cartoon to the Saturday Evening Post when I was around seven and a half. It was of a little Arabian boy outside a tent in the desert, with camels around, asking his father to build him a sandbox. And actually, many years later, Mischa Richter published a cartoon in The New Yorker that made a similar joke. Great minds think alike.
TCB: What other things do you remember drawing when you were young?
WM: I drew a lot of war things, and my cousin and I used to make comics.
TCB: When did you start to consider cartooning as a career?
WM: I had gone to college for commercial art for a year before transferring to another college. There I had a double major in art and anthropology, and was thinking of going into museum work. After I graduated, I was working at the post office (what do you do with a B.A.? You get a job at the P.O.), and I met this guy who had worked with the sculptor Henry Moore. I had sent some cartoons to Playboy in the past, so he said, “Why don’t you try submitting again?” So I started sending more work to other magazines, and out of the first batch I sent to Esquire, they bought some ideas.
TCB: What was the first cartoon you had published in The New Yorker?
WM: It was in 1961, and the cartoon showed a guy in a hospital bed, with a computer-type machine coming in with a hypodermic needle, and the guy screaming, “Oh God, no! Not here!”
TCB: What are some changes you’ve seen at The New Yorker since the beginning of your career there?
WM: In the old days, the cartoon editor’s office was the holiest of holies; you couldn’t just walk right in. When I was first at the magazine, some of the cartoonists had offices. I had one, and James Stevenson had an office down the hall from me – he did a lot of children’s books, and would draw maybe one a week.
TCB: Who are some of your favorite New Yorker cartoonists, past and present?
WM: I was always a Charles Addams fan. And I liked Frank Modell and Saul Steinberg. Of cartoonists working today, I like Roz Chast and David Sipress.
TCB: What advice would you give to an aspiring cartoonist?
WM: Persevere. If drawing is what makes you happy, you just have to find a way to do it.
TCB: When do you first remember being interested in drawing?
WM: When I was a little tiny person, my father was a commercial artist, and my grandfather was an engraver and also drew. I sent in my first cartoon to the Saturday Evening Post when I was around seven and a half. It was of a little Arabian boy outside a tent in the desert, with camels around, asking his father to build him a sandbox. And actually, many years later, Mischa Richter published a cartoon in The New Yorker that made a similar joke. Great minds think alike.
TCB: What other things do you remember drawing when you were young?
WM: I drew a lot of war things, and my cousin and I used to make comics.
TCB: When did you start to consider cartooning as a career?
WM: I had gone to college for commercial art for a year before transferring to another college. There I had a double major in art and anthropology, and was thinking of going into museum work. After I graduated, I was working at the post office (what do you do with a B.A.? You get a job at the P.O.), and I met this guy who had worked with the sculptor Henry Moore. I had sent some cartoons to Playboy in the past, so he said, “Why don’t you try submitting again?” So I started sending more work to other magazines, and out of the first batch I sent to Esquire, they bought some ideas.
TCB: What was the first cartoon you had published in The New Yorker?
WM: It was in 1961, and the cartoon showed a guy in a hospital bed, with a computer-type machine coming in with a hypodermic needle, and the guy screaming, “Oh God, no! Not here!”
TCB: What are some changes you’ve seen at The New Yorker since the beginning of your career there?
WM: In the old days, the cartoon editor’s office was the holiest of holies; you couldn’t just walk right in. When I was first at the magazine, some of the cartoonists had offices. I had one, and James Stevenson had an office down the hall from me – he did a lot of children’s books, and would draw maybe one a week.
TCB: Who are some of your favorite New Yorker cartoonists, past and present?
WM: I was always a Charles Addams fan. And I liked Frank Modell and Saul Steinberg. Of cartoonists working today, I like Roz Chast and David Sipress.
TCB: What advice would you give to an aspiring cartoonist?
WM: Persevere. If drawing is what makes you happy, you just have to find a way to do it.
He's leaving the internet
James Sturm, a graphic novellist and head of Centre of Cartoon Studies has left the internet, find his article here
http://www.slate.com/id/2249562/
and the video here
http://www.youtube.com/watch?v=w7HVP2rroic
one of the best things his readers said, which he illustrated is:
I agree, because this year i hid my birhtday reminder from as many places as possible, and the result was filtered number of people who called and messaged.
P.S: i like his coloring style...
http://www.slate.com/id/2249562/
and the video here
http://www.youtube.com/watch?v=w7HVP2rroic
one of the best things his readers said, which he illustrated is:
I agree, because this year i hid my birhtday reminder from as many places as possible, and the result was filtered number of people who called and messaged.
P.S: i like his coloring style...
Saturday, May 15, 2010
xx - entry for Comix India
Comix India is this new effort, this is my entry.
although they need a english translation with the hindi text, i have not put it because
1. i am lazy
2. i don't see the point as to why i should put in the "translation".
Wednesday, May 12, 2010
DREAM from Fumaga.com
---------- Forwarded message ----------
From: Anant Singh <singh.anant@gmail.com>
Date: Tue, May 11, 2010 at 9:40 PM
Subject: comic
To: sumit kumar <sumit.drew@gmail.com>
http://fumaga.com/2852
--
Anant Singh
Twenty Onwards Media Pvt. Ltd.
+91-9953495583
From: Anant Singh <singh.anant@gmail.com>
Date: Tue, May 11, 2010 at 9:40 PM
Subject: comic
To: sumit kumar <sumit.drew@gmail.com>
http://fumaga.com/2852
--
Anant Singh
Twenty Onwards Media Pvt. Ltd.
+91-9953495583
--
sumit kumar
+919999761208
sumit.drew@gmail.com
apunsumit.blogspot.com
Friday, May 07, 2010
Futurama: A Wonderful Series
Futurama is a comedy animated series. (Created by Matt Groaning(Simpsons))
What differentiates it from Simpsons, its copy the family guy and South Park is its style of humor.
First the guys always have a new line below the show super wating for you as you enter the show...
The show has these innumerable little gags running throughout, like this one here...from an episode where aliens attacks earth...
first the main space shape blows up the white house(independence day style) followed by a minature space ship, which blows a sand castle..
Am so Happy I tell you...
Kasab's verdict is out, and i am really happy.
because i was expecting worse like everyone else, i was expecting an umar qaid for the chutiya, i knew it was going to happen.
but i am so happy with the verdict, it has so aggression, and so much anger in it..
4 Death Penalties and 5 Life sentences.
How cool is that?
because i was expecting worse like everyone else, i was expecting an umar qaid for the chutiya, i knew it was going to happen.
but i am so happy with the verdict, it has so aggression, and so much anger in it..
4 Death Penalties and 5 Life sentences.
How cool is that?
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